<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Blog on ゆうれいのページ</title><link>https://jurei-13f222.gitlab.io/jo/</link><description>Recent content in Blog on ゆうれいのページ</description><generator>Hugo</generator><language>ja-jp</language><managingEditor>contact@kuku9.net (Jaŝiki Juurej)</managingEditor><webMaster>contact@kuku9.net (Jaŝiki Juurej)</webMaster><lastBuildDate>Wed, 29 Jul 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://jurei-13f222.gitlab.io/jo/index.xml" rel="self" type="application/rss+xml"/><item><title>The Nature of Evil in JoJo</title><link>https://jurei-13f222.gitlab.io/jo/evil/</link><pubDate>Wed, 29 Jul 2026 00:00:00 +0000</pubDate><author>contact@kuku9.net (Jaŝiki Juurej)</author><guid>https://jurei-13f222.gitlab.io/jo/evil/</guid><description>&lt;center&gt;&lt;img src="./head.jpg"&gt;&lt;/center&gt;
&lt;p&gt;On the inside cover of &lt;em&gt;Weekly Shonen Jump&lt;/em&gt; paperback volumes, there is a note from the author.
In the first volume of &amp;ldquo;JoJo&amp;rsquo;s Bizzare Adventure&amp;rdquo;, the following words are written:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To be clear, the theme of this work is a common one: &amp;ldquo;living.&amp;rdquo;
Through two contrasting protagonists, I want to examine two different ways of living.Through the struggle between &amp;ldquo;humans&amp;rdquo; and &amp;ldquo;non-humans,&amp;rdquo; I aim to sing a hymn to humanity.&lt;cite&gt;Author&amp;rsquo;s Note (Volume 1)&lt;/cite&gt;&lt;/p&gt;</description></item><item><title>JoJo is Ōdō (王道)</title><link>https://jurei-13f222.gitlab.io/jo/oudou/</link><pubDate>Sat, 18 Jul 2026 00:00:00 +0000</pubDate><author>contact@kuku9.net (Jaŝiki Juurej)</author><guid>https://jurei-13f222.gitlab.io/jo/oudou/</guid><description>&lt;center&gt;&lt;img src="./head.jpg"&gt;&lt;/center&gt;
&lt;p&gt;Araki Hirohiko(荒木飛呂彦), the creator of JoJo’s Bizarre Adventure, has stated&lt;sup id="fnref:1"&gt;&lt;a href="#fn:1" class="footnote-ref" role="doc-noteref"&gt;1&lt;/a&gt;&lt;/sup&gt; that “JoJo is &lt;strong&gt;ōdō&lt;/strong&gt;(王道).”When contemporary Japanese people use the word &lt;em&gt;ōdō&lt;/em&gt; in everyday conversation, it often means &amp;ldquo;the standard&amp;rdquo; or &amp;ldquo;the classic.&amp;rdquo; Antonyms for &lt;em&gt;ōdō&lt;/em&gt; might include &amp;ldquo;heterodox,&amp;rdquo; &amp;ldquo;unconventional,&amp;rdquo; or &amp;ldquo;experimental.&amp;rdquo; Indeed, many would likely feel that these antonyms are more fitting descriptions for a work like &lt;em&gt;JoJo&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Why does this gap in the understanding of &lt;em&gt;ōdō&lt;/em&gt; exist between the general public and the author, and what does it signify? This is what I wish to explore.&lt;/p&gt;</description></item></channel></rss>